Nikon Owner magazine is a lavishly-produced, glossy 60-page publication with the purpose of bringing together Nikon users and providing them with unique opportunities to increase their photographic skill and knowledge of Nikon equipment. Cajsa Holgersson created this illustration for Nikon Pro Magazine’s ‘The Female Gaze’ edition. This edition focuses on women photographers and females within the industry. Cajsa’s illustration shows a medley of female photographers, working across a wide range of subjects, including fashion, sport and nature photography. 'Nikon Pro is an essential marketing and communication platform for staying in touch with our dedicated and professional customers in Europe and worldwide. In both print and digital versions, the magazine is an informative, educational and entertaining source of inspiration for photographers who rely on Nikon to stay ahead of the game.’.

Inspiring Nikon professional photographers for over 20 years

Nikon knows better than anyone that great photography makes for great content.

Our goal was to work with them to discover and share the best in Nikon photography with a worldwide audience of professional photographers using Nikon equipment. We needed to create a direct link between the brand and its customers, and reinforce the brand’s position as the world’s number one professional camera manufacturer.

The solution

We created Nikon Pro as the premier showcase for the very best Nikon photography and specialist camera techniques from around the world.

Now over 20 years old, Nikon Pro is a trusted worldwide brand. It is produced in five languages (English, French, German, Italian and Russian) and distributed to Nikon's most valuable customers in print and digital formats.

The refresh of the title in 2017 introduced a new look across all platforms. More space for stunning images allows for a deeper dive into 21^st-century photography. New video content in the digital editions has boosted subscriber take-up of the format.

Nikon Pro Magazine Covers

The details

With customer-focused product reviews, Nikon Pro is a key medium for showcasing the latest cameras and photo technology, along with work from the world's leading photographers. The digital editions feature exclusive videos demonstrating the latest Nikon DSLR moviemaking capabilities.

International editions of Nikon Pro are created by our in-house team of localisation experts, who ensure translated copy is not only correct in tone and length, but reads as if written in the native language.

Nikon Pro Magazine Customer Service

Nikon launch their Nikon Pro Book for Spring 2013 featuring some photography recently completed by Commercial Car Photographer Tim Wallace during a shoot in Los Angeles using Nikon based equipment with the infamous Aston Martin DBS

Nikon Pro Magazine Pdf Download

Nikon Pro is a very highly successful publication that in the past few years has won five industry awards. It is aimed at working professional photographers and agencies across Europe and demands the highest quality work in its features to showcase the work of professionals from around the globe. Its current readership levels exceed 75,000 and it is also a source for advanced technical information as well as new products that are soon to be available, reports and reviews.

Nikon Pro Magazine Cover

Tim – “I’m delighted that we have had some work chosen for this years exciting Spring edition of Nikon Pro and in many ways its a great honour as I know that Nikon actively choose each year the photography to include from quite literally a global pool. In my work as a professional commercial photographer I use both medium format (Hasselblad H3 / H4) and DSLR (D3s / D4) camera solutions to best adapt and work in what can often be a changing and demanding field of photography. Since the onset of the ‘digital age’ we have heard many voice concerns about if digital holds the quality of film and in my opinion digital as a whole overtook film for dynamic range and quality approx 3 years ago. Nikon is a brand that I am very familiar with having used these camera’s all my life since my first Nikon, a rather battered FM that still resides on top of my book shelve in the office, and for me they are a valuable addition to my high end medium format equipment. I think the comparison between DSLR and medium format will always be made but for me its quite simply a case of what is fit for purpose for the shoot in question. I will never be looking to get 14 frames a second from my Hasselblad but on the other side of things I would not expect to maintain the noise control and speed of my D3s and D4 if it attempted to reproduce the fine definition and resolution from a Hasselblad. In essence each has their role and each has their strong points, as a professional working photographer my only comment would be that its not productive to believe that you must ‘choose’ between either, use what works for you and if that means working on both a DSLR and medium format then pick the best ‘tool’ for the job at that point”